stitching and drone | harmony

drone harmony layout preplanning

two days ago when the weather was inviting and the wind was calm i took the chance to try out a new drone app for photo professionals, still in beta, called drone harmony. the basic difference between the competing apps is simple, but impressive: before you plan your flight you tell the app where the obstacles are. the drone then avoids the buildings, trees, fences etc. you tell the app in the second step where and how to fly. maybe in a helix around a tower, or, that’s what i did, in a grid for straight down = orthogonal photography.

to cut things short: i’ll have to repeat the flight because – what i never thought about – the lighting conditions between beginning and end of flight were very different. when i took off, clouds cast soft shadows on the ground. towards the end of the expedition, ten or so minutes later, the sun came out, with sharp late afternoon shadows, confusing all four stitching apps i tried.

flight and photo pattern acroos the layed out area

first i let adobe photoshop lightroom deal with the 44 high res raw photos. i did some colour correction and camera profiling and then asked lightroom to stitch them all together. it took ages, maybe 20 minutes. lightroom offers no option for straight orthogonal images and chooses „perspective“:

lightroom tries stitching 44 photos together.

the result was this:

odd sharp edges (lightroom)

this attempt was not the worst, but puzzling. i could not determine where the extreme edges and distortion came from. the shape of the stitched object does only vaguely resemble the almost rectangular layout of the actual flight. next candidate: microsoft ICE.

microsoft ICE stitch

microsoft ICE did a much more sober stitching. i had used it before for 180° and 360° panoramas and little planet photos. nevertheless the pretty good looking panorama is flawed:

stitching flaws in ICE

the reason for this problem is that the sports playground had different lighting conditions. the third candidate amazed me with its free inventions. you may call it creative or useless: photoshop CC.

photoshop stitching

photoshop, famous in the old days for its stitching capabilities, is a lame duck now. all it presented was the odd collage above, with pretty amazing details (below):

none of these buildings is at the correct position.

let’s zoom in at another section of the same stitching. photoshop thought, why not TWO sports grounds? here the problem with the different lighting situation is obvious:

photoshop invents a double sports ground.

the creativity of photoshop is so amazing that i risked another close look. here the two sports grounds (in reality there’s only one, of course) are seperated by trees:

another attempt in photoshop

autostitch was the last software i tried – and it turned out to be the best, along with microsoft ICE.

autostitch64 does a good job.

like microsoft ICE, it handled the different lighting situations with ease, but both programs have problems with details. this is autostitch, a detail from the center of the image above, buildings which seem to fall into pieces and blend together:

autostitch detail with lots of problems

so, i’ll have to do the flight again and see…

panorama in adobe | lightroom

panorama köln nord-ost-süd. foto: ms/dpa

panoramen aus mehreren einzelbildern zusammensetzen konnte software schon lange. vor ca. 15 jahren klappte das mit der geometriezusammensetzung schon ganz gut, aber der knackpunkt war, den einzelbildern eine farb- und belichtungscharakteristik zu geben, dass die übergänge nicht mehr sichtbar waren. im beispiel hier oben, aufgenommen heute nachmittag aus 60 metern höhe mit meiner drohne, waren im original die fotos im rechten bereich (also nach süden) viel dunkler als die richtung dom (norden).

ich habe hier erstmals die automatische zusammensetzung der fünf einzelaufnahmen zu einem panorama von adobe photoshop lightroom CC erledigen lassen, und das ergebnis, was nach ca. 3 sekunden so dastand, lässt sich sehen. 11.000 pixel breit. durch rechten mausklick auf das bild oben lässt sich eine verkleinerte, aber immerhin 2000 pixel breite version lokal speichern.

entscheidend dafür, dass die belichtungs- und farbübergänge so perfekt sind, ist das originalformat der aufnahmen: die drohnenkamera nimmt nämlich auf wunsch RAW auf, also nicht nur jpeg. im RAW-format sind zahlreiche informationen enthalten, die man nicht direkt sieht, während in jpeg alles festgelegt ist. eine stärke von lightroom ist, dass sich das programm immer im RAW-bereich bewegt, also auch das berechnete panorama noch RAW ist. ich habe es erheblich aufgehellt und ein wenig das weiß abgesenkt.